Small Mention in Glass magazine

"There is another interesting pairing in the show, that of Ruth Geldard’s woven clothes on tree trunks, and Sarah Greaves’ The Ends, a door into which the words ‘the end’ were sown. Perhaps‘science’ is not the right word to describe the operations behind these works, which are more intuitive than precise. They would be more on the chaotic side of science, maybe on that of alchemy and its disquieting transformations. Antropomorphic yet already alien, the two works seen together invoke images of the world as un unfinished situation, against which our human tools for knowledge are weak, despite their bravenes – or creative drive."

http://theglassmagazine.com/forum/blog_posts.asp?roll=1